Hear what the Critics are saying..



Marten Anderson interviewed by Yahoo - Joseph N. Frezza.  (c) 2000 Joseph N. Frezza

Joe:  You always been a bass player?  And any influences

Marten:  I actually started out playing guitar at about the age of 12, but I realized then that bass was actually the instrument for me.  I have always played guitar on the side since then and I actually played rhythm guitar on my solo album Legacy.  My influences are everything from Michael Schenker, Judas Priest, and Thin Lizzy.  One major influence was Gene Simmons.  This is a guy that has presence, very happening bass player and an incredible entertainer.

J:  When was the first time you ever heard of Lizzy?

M:  I have heard about Lizzy Borden for a long long time.  I remember hearing Love You To Pieces around '87 or so.  There was a lot of buzz going around this crazy band and the lead singer that had his face painted silver.  It was not until the Master Of Disguise album that I was sold on them, loved that new side of the band, killer production, etc.

J:  How did you first become involved with Lizzy's band?

M:  I was giving bass lessons to a bass player named Kim Neilsen.  She was the bassplayer for an all-female band called Phantom Blue(Shrapnel Records & Geffen)  She was a good friend of the band and she was doing some bass work for Lizzy and he had asked her if she knew any bass players that she could recommend to him.

J:  What was your first meeting with Lizzy like?

M:  I remember I had to cancel the first audition/rehearsal because I was staying with a psycho bitch that totally freaked out on me a few days before the audition.  I found all my bags and stuff locked in her place and she was nowhere to be found.  At the time I had no car or nothing, GREAT!!  I figure.......Here goes this gig.  Well, to make a long story short, I finally got a hold of her a few days later, got some of my shit back, plus I still had no car and I was broke.  So, I bought the Recycler, borrowed $500 from a buddy of mine, bought a shitty car, and rescheduled the audition, still hoping they had not found anyone else yet.  I got the car, I worked on the songs for about a day and took off to rehearsal.  I figured the guys in the band were sorta pissed off at me for canceling the first one, so I really had to make sure my playing was great, as well as showing them that I wasn't another of those Hollywood flakes.  Of course I should've known that something else would go wrong.  I got lost on my way there and I kept thinking in my head "Is Lizzy going to show up with a silver face and container of blood?"  By the time I finally got there, I was an hour late and at that point I said fuck it.  Well, to my luck there was a note on the door saying "We are running about an hour late, so just hang out."  About 10 minutes later, Lizzy and the rest of the boys showed up and they were actually apologizing to me for running late.  We ended up rehearsing on 2 different occasions before Lizzy said "You Got It!!"  2 weeks later, I was on
a US tour.

J:  Is there a Lizzy song you find challenging and harder to play than some of his other songs?

M:  That's the cool part about the songs, they have such a different feel to each and every song.  But it still sounds like Lizzy and the common trademark of Lizzy Borden.  I like to play songs such as Sins Of The Flesh and Council For The Cauldron because of the cool bass licks, aggressiveness and great vocals they have.  But I also like to play songs such as Visions and One False Move because of the cool feel and the mood these songs carry. 

J:  What was your first concert with Lizzy like?

M:  Well,  I remember I was a little bit out of synch with the rest of the band and I did fuck up on a few different occasions.  Lizzy took all this into consideration however, with me being a brand new bass player, and as I remember the band itself had not played live for a while, so he had us booked at some "Hole in the wall" clubs for warm up/pre-tour shows, before we went out and actually did the important shows.

J:  How did it feel playing the Bang Your Head '99 show in Germany?  And what was that like?

M:  We did a press conference before the show and there was at least 30-40 
photographers there going "Over here!  Over here, guys!  Look here!"  It was insane.  Germany was great.  It's just awesome to play in front of tens of thousands of fans.  We were the first band to get to Germany and the last one to leave as well.  We had a great time over there the entire time.  Let me give you an example of how big metal is over there still.  We wanted to check out some bands that were playing after us like Dio, but we could not walk out to see them.  There were tons of people waiting outside and wanted our autographs and pictures taken.  We ended partying our brains out with Hammerfall, Motorhead, and all the other crazy people hanging backstage.

J:  Have a funny story to share relating to Lizzy?

M:  Man, we got so many great stories from the road and so forth, but this is at the airport in Germany back to the US.  I include it because it's a classic.  This is on the way back to the US from Germany after playing the Bang Your Head festival in the summer of '99 as told by Lizzy himself:

Arrested at the airport in Germany!!!!!

At the fucked up airport in Stuttgart, they would not check all of our bags, even after we gave them 150 american dollars!!!  And told them these were the very same bags that we came to Germany with in the first place, and they didn't care.  So I had to carry my wardrobe bag on the plane. 

When they ran it through the x-ray machine, the lady asked to look inside.  She slowly unzipped the bag.  What did she see?  A fresh, dripping, bloody axe.  She jumped five feet back with blood on her fingers.  In a hysterical voice, she pulled out her walkie talkie and within seconds, I was surrounded by six or seven German police.  They forcibly escorted me through the airport into a little room, leaving the band to make a plane that was taking off in ten minutes.  The door slammed behind me and they put me in the center of the room and took their positions all around me.  And they said "Give me your passport!"  I had this mean looking German cop my passport and the bloody axe dripping down on his desk.  I then suddenly realize that I still have makeup, jet black fingernails, and wild hair from the night before.  The cop then asked "What have you done?"

I said "Nothing.  It's a prop.  Show business!  Show business!! "Where did this blood come from?" I said in a serious voice "I played a show last night.  I'm a singer in a rock band called Lizzy Borden.  "Where did this blood come from??" In a serious and angry voice "It's fake blood.  I use it in my show.  I said "You know, it's not worth it to me.  You can take the axe and just let me make the plane.  "Don't you understand that this is a weapon?  Why did you think that you could bring this weapon in the airport?  It's the same thing as having a gun, maybe worse.  It has blood all over it.  I don't know what you've done to have blood all over it?  What is this thing?  What do you call it?" I said "It's an axe!"  I finally convinced him to let me go after I promised him  I wouldn't come back to Germany any time soon.  They escorted me to the plane, without my bloody axe.

J:  Did it take you a long time to learn Lizzy's music?

M:  Well, some songs took a little longer than others, but I get a kick outta learning 'em plus each song is so different in style and feel, so it never gets boring.

J:  How does it feel playing for Lizzy after not having played with the band in some time?

M:  Well, Lizzy is excited.  And we are all pumped and ready to go especially after playing some great shows in Vegas, Phoenix, Los Angeles, and San Francisco.  I am very excited and can't wait for the new album to come out and the world tour we are doing immediately following the release. 

J:  Any stories from the road to share relating to Lizzy?

M:  Well, at a recent signing, somehow the penthouse of the Hilton Hotel turned into a playground of the damned, causing several thousand dollars damage.  And yes, the obligatory television out of the window.

J:  Is there any specific kind of guitar you love to use?  Anything you recommend?

M:  I have the opportunity to be endorsed by ESP Guitars/Basses and Hammer Basses.  I have a few favorite basses I use more than others.  They are:  A black ESP bass -  J4 with EMG pickups, a white Fender Jazz Bass special and I have a brand new Hammer 12 string bass with EMG pickups being made for me as we speak.  I used ESP guitars to play the rhythm guitars on the Legacy album.

J:  Have a fave movie?

M:  Yes, one movie I really dug was The Matrix.  Great special effects and a whole new way of thinking as far as script and production. 

J:  Fave Actor/Actress?

M:  Sandra Bullock  -- This woman doesn't only have charisma, but she is also one the nicest women I ever met.

Salma Hayek  --  Beautiful.  Killer body and accent.

By Joseph N. Frezza

(c) 2000 Joseph N. Frezza.  Any unauthorized use of this interview without permission is strictly prohibited and forbidden.

Back to Reviews



Marten Andersson Home

News | Photos | Multimedia Tour dates | Marten Bio | Press & Reviews | Marten's Gear
Merchandise | Legacy Bio | Contact info | Facebook Lizzy Borden Forum
| Search | Links | Fan Additions | Site Map | Main Legacy Page